An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College
• Cover
Our current issue takes on this volatile and dangerous moment with a wide variety of pieces bearing on aspects of this unprecedented time in our endangered democracy: Paul Leslie writes on J.D. Vance and the American right’s misuse of philosophy to bolster their agenda; William Deresiewicz questions the Democrats’ election postmortems and investigates what he calls an ‘exhausted’ institutionalized Liberalism while Matt Johnson considers Liberal self-doubt; Martin Jay writes about Trump’s inheritance of the legacy of the left.
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An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College
• Cover
Our current issue takes on this volatile and dangerous moment with a wide variety of pieces bearing on aspects of this unprecedented time in our endangered democracy: Paul Leslie writes on J.D. Vance and the American right’s misuse of philosophy to bolster their agenda; William Deresiewicz questions the Democrats’ election postmortems and investigates what he calls an ‘exhausted’ institutionalized Liberalism while Matt Johnson considers Liberal self-doubt; Martin Jay writes about Trump’s inheritance of the legacy of the left.
SUBSCRIBE
• Cover
Our current issue takes on this volatile and dangerous moment with a wide variety of pieces bearing on aspects of this unprecedented time in our endangered democracy: Paul Leslie writes on J.D. Vance and the American right’s misuse of philosophy to bolster their agenda; William Deresiewicz questions the Democrats’ election postmortems and investigates what he calls an ‘exhausted’ institutionalized Liberalism while Matt Johnson considers Liberal self-doubt; Martin Jay writes about Trump’s inheritance of the legacy of the left.
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Donald Judd, 15 untitled works in concrete, 1980–84
Permanent collection, The Chinati Foundation, Marfa, Texas. Photo by Florian Holzherr, courtesy of The Chinati Foundation. Donald Judd Art © 2024 Judd Foundation / Artists Rights Society (ARS), New York. Image by Florian Holzherr.
