An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College
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James Miller at the Arguing Belief and Unbelief Symposium at Skidmore College — a special feature on the symposium is out now in Salmagundi #200-201
Notes
Salmagundi #200-201 Features a Symposium on “Belief & Unbelief: Faith, Facts, Politics & Ideology”
November 29, 2018

Join a timely, contentious discussion in the pages of the current issue of Salmagundi

Walter Lippmann “concluded, in the 1920s, that most people knew few indisputable facts and were quite unable to think clearly about what facts they may have known, and therefore were disqualified from participating in any real or robust way in public affairs. The public, he thought, had been idealized in Democratic theories, whereas empirical evidence showed that ordinary citizens were not capable of the feats of participation in the informed and enlightened way that had been the hope of the great theorists of the Democratic revolution of the 18th century, or their 19th century inheritors.”

— James Miller, “Bien-Pensant Liberalism, Relativism & Truth- Telling” from Belief & Unbelief: A Symposium

Take part in a rich and absorbing conversation about “Belief & Unbelief” with Marilynne Robinson, James Carroll, Akeel Bilgrami, Mary Gordon, James Wood, Kwame Anthony Appiah, James Miller, Orlando Patterson and many others.

For this unprecedented “Belief & Unbelief” symposium, an extraordinary cast of writers and thinkers address themselves to questions that bear upon the most basic aspects of our lives, questions that involve our fate as “modern” men and women and the discontents we must learn to live with. Inspiring, or informing, discussion is Phillip Rieff’s suggestion, in The Triumph of the Therapeutic, that there is, at the center of our culture, an “openness to possibility in which nothing remains true.” Also central to our discussions, Alasdair MacIntyre’s powerful arguments, in After Virtue, that all beliefs, so called, now largely rest upon “a set of arbitrary prohibitions,” that each of us is condemned to be “his own moral authority,” and that the artworks we most admire are “individualist fictions” reflecting the “absence of shared standards or virtues or goods.”

This special feature in Salmagundi #200-201 is full of lively, searching, unexpected and sometime contentious conversations about “Faith, Doubt, Atheism, Obedience,” “Prejudice and Commitment,” “The Meaning of ‘Belief’ and ‘Unbelief’ in Literature,” “Bien-Pensant Liberalism,” “Relativism & Truth-Telling” and “Ideology as Belief: Dangers and Distortions.” Click on Current Issue above to purchase a copy of the new issue or SUBSCRIBE to Salmagundi and begin your subscription with this characteristically eclectic number of Salmagundi that in addition to the symposium contains columns on art, film, politics and culture as well as new fiction, book reviews and poetry.

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Conducting the Light and The Dark

A Note on Jason Molina

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Robert and Peg Boyers in the Salmagundi office, 1976

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“Salmagundi Annual Cocktail Party”

A Drawing c. 1969

“The wingspan of your voice … / Cannot be taken down”

In Memory of Lucie Brock-Broido

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